Visual rhetoric of U.S. agricultural films: auteurs, actors and assimilation
| dc.contributor.author | Littlefield, Joanne Speirs, author | |
| dc.contributor.author | Seel, Pete, advisor | |
| dc.contributor.author | Abrams, Katie, committee member | |
| dc.contributor.author | Champ, Joseph, committee member | |
| dc.contributor.author | Margolis, Eric, committee member | |
| dc.contributor.author | Thilmany, Dawn, committee member | |
| dc.date.accessioned | 2016-08-18T23:11:33Z | |
| dc.date.available | 2016-08-18T23:11:33Z | |
| dc.date.issued | 2016 | |
| dc.description.abstract | Agriculture’s role in the expansion of the United States economy is examined through the analysis of five films and their role in presenting societal issues germane to agricultural production. Early in film’s history, the ability to motivate others to understand the need for changes in policy, through the use of persuasive visual, aural, and textual techniques was understood to be important to filmmakers—including those representing government agencies and civic groups. The production and distribution of non-fiction films focused on topics relevant to food and fiber production has kept pace with evolving motion picture production technologies since the first films were released in the early twentieth century. This research project analyzes the context in which these films were produced, how and if production objectives and goals were aligned with societal issues, and whether the expected outcomes were obtained. Research methods include: institutional ethnography/case studies/ethnographic content analysis (including video forensics and hermeneutic data analysis), to identify genre, voice and associated societal issues; in-depth interviews of those involved in the filmmaking where available; historic document analysis using structure of in-depth interviews to interrogate archival materials. The films analyzed here were produced and presented as an aid for agricultural producers, policy makers and agricultural educators to come together to create a shared understanding on what it would take to produce food, fiber and prosperity for their communities, and the nation. These all create not only a sense of accomplishment, but the accumulation of wealth and status for a nation that could not only provide for itself, but have an elevated status as the provider for the global community. | |
| dc.format.medium | born digital | |
| dc.format.medium | doctoral dissertations | |
| dc.identifier | Littlefield_colostate_0053A_13785.pdf | |
| dc.identifier.uri | http://hdl.handle.net/10217/176744 | |
| dc.language | English | |
| dc.language.iso | eng | |
| dc.publisher | Colorado State University. Libraries | |
| dc.relation.ispartof | 2000-2019 | |
| dc.rights | Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright. | |
| dc.title | Visual rhetoric of U.S. agricultural films: auteurs, actors and assimilation | |
| dc.type | Text | |
| dcterms.rights.dpla | This Item is protected by copyright and/or related rights (https://rightsstatements.org/vocab/InC/1.0/). You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
| thesis.degree.discipline | Journalism and Media Communication | |
| thesis.degree.grantor | Colorado State University | |
| thesis.degree.level | Doctoral | |
| thesis.degree.name | Doctor of Philosophy (Ph.D.) |
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